I have been watching with great interest some hand stitching in my Instagram feed, particularly from David of Southern Cross Fibre and Vicki knitorious. They are each hand stitching on different projects that are equally beautiful. Vicki’s Alabama Chanin inspired stitching is incredibly gorgeous and I am very intrigued by this method of slow stitching. David, however, has taken to a field that I have some experience with, although I did not do any hand piecing as he is doing, and his results are absolutely stunning.
Why does this all interest me so much? Well, early in the 1990’s I was an avid quilter. Okay, maybe not avid, perhaps it is better to say that I was a member of a Quilting Group of avid quilters who had been quilting together for years before they invited me (the novice) to join them. The group met weekly throughout the year, working on one large quilt that they would enter into the Tulip Time Quilt Show. The most challenging quilt that I worked on with them was this hand appliqued flower quilt. Each block was hand appliqued and then the blocks were machine assembled. However, the best part, for me, happened once the quilt was carefully stitched into the quilting frame. Then the quilting could begin! Those were quite simply the best times, with all of us sitting around the quilt, carefully stitching the fabric in front of us. The key was to never be able to tell where one quilter’s stitches began and another ended. I look at this quilt today and to my eye there is no difference in any of the quilting at all. And if these stitches could talk, what stories they could tell about the joys, the heartaches, the struggles, and the lives of the quilters. This quilt took a good number of months to complete with the end goal being to sell it and start the process all over again. My then husband surprised me and bought it at the quilt show, which might have been one of the nicest things he ever did. The quilt won a ribbon at the quilt show, but it holds far greater meaning for me in the memories of all the stitches it contains, worked by the women I grew to love dearly. It is a vivid reminder of all we shared together.
I just loved sitting around the quilt with those ladies, stitching and talking every week but, all too soon my house was filled with children and getting to quilting became a challenge, especially with a spouse who traveled most of the time. Sadly, I soon became far too busy to quilt and working on a large quilt at home was not very “child friendly”. I did continue quilting for a couple of years at home in the evenings when the kids were tucked away in bed and I managed to make several miniature quilts, some of which even won some awards as well!
I love the basket quilt, pictured above, that hangs over the back of a tiny, hand-made wooden chair with the well-loved Raggedy Ann of my youth.
But, my favorite is this Autumn Leaves quilt that I made (and subsequently had framed to hang on my wall.)
I think often of those ladies that I quilted with and learned from, and while many of them are no longer here; the things I learned from them have not left me.
There are days that I really miss quilting, but then I am reminded of the lack of space we have, and, more importantly – my lack of time. It is nice though, that the slow stitch movement is shining light on the forgotten art of hand quilting and sewing. And, I hope they are never forgotten!